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Res affectus and mores4/8/2023 ![]() ![]() Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more. Some societies use Oxford Academic personal accounts to provide access for their members.įor librarians and administrators, your personal account also provides access to institutional account management. Some societies use Oxford Academic personal accounts for their members.Ī personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.Many societies offer member access to their journals using single sign-on between the society website and Oxford Academic. If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. ![]() This authentication occurs automatically,Īnd it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in the following ways: Get help with access Institutional accessĪccess to restricted content on Oxford Academic is often provided through institutional subscriptions and purchases. I conclude by suggesting broader consequences of the claim for the centrality of verse form to Coleridge’s thinking. How can an active mind that is the means and measure of all things permit a world material enough for the subject to feel it? The term that marks most clearly Coleridge’s need to move beyond idealism is, I argue, ‘Empfindung’, a ‘self-finding’-a process that ‘To William Wordsworth’ finally embodies. Through close readings of three poems-‘The Eolian Harp' (1795), ‘Frost at Midnight' (1798) and ‘To William Wordsworth' (1807)-I demonstrate the extent to which Coleridge's ongoing composition and revision anticipate his growing subscription to an idealist conception of mind, and finally his reservations about such a view. Yet it does this not through philosophical argument, or propositional statement, but rather through the formal repertoire of verse: caesura, the slippage between imperative and apostrophe, the emphatic use of conjunction the habit of stress that leads the reader to emphasize formerly unpronounced experience. In so doing, the conversation poem sequence uncovers a complex strand of materiality that Coleridge is commonly thought to have exhausted following his youthful Associationism. This essay argues that Coleridge’s conversation poem sequence critically engages with a ‘transcendental’ idealism that he identifies with Berkeley and Schelling.
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